The Beyoncé CMA Snub and Country Music’s Dangerous Hierarchy

BIPOC
By
Taylor Crumpton
September 10, 2024
Time
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If country music is one big happy family, Black women are its bastard daughters. The illegitimate children that will never be recognized. Despite being born of its flesh, carrying the songs and traditions of the nation’s past in its blood, Black women in country have been denied legitimacy by the industry they’re so firmly a part of. Perhaps it’s because there’s a fear that, if the country music industry did truly recognize Black women as the genre’s heirs—to write them down as the rightful descendants of a great American dynasty—it (and everything it stands for) would likely cease to exist.

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Country Universe

The longest-running country music blog, Country Universe was founded on and remains committed to the fact-based notion that country music has never been the exclusive purview of artists who are straight, white, Christian, Southern, and (mostly) men. When focusing on either the genre's history or its present, CU takes a "big tent" approach to the broader country universe and believes that a foundation of empathy makes country music an essential part of our shared popular culture.

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