For Mon Rovia, ‘Atonement’ is Just the Beginning

BIPOC
By
Garret K. Woodward
January 13, 2025
The Bluegrass Situation
Interview

When one really digs below the surface of Mon Rovîa, there’s this intricate kaleidoscope of self, this winding path where the road to the here and now for the singer-songwriter has truly been one of restless resilience, dogged passion, and spiritual curiosity. The rising artist has already lived this whirlwind existence of trials and tribulations, but also one of triumph and transcendence. Born in the West African country of Liberia, Mon Rovîa (taking his stage name from Liberia’s capital city) was adopted by Christian missionaries and taken from his homeland in the midst of an extremely violent and daunting civil war,

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Interview
A young Balck man Mon Rovia stands smiling in a dimly-lit cargo container, holding a ukulele. He is wearing a blue t-shirt with the text "Flexibility Balance" and has a necklace around his neck.
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Country Universe

The longest-running country music blog, Country Universe was founded on and remains committed to the fact-based notion that country music has never been the exclusive purview of artists who are straight, white, Christian, Southern, and (mostly) men. When focusing on either the genre's history or its present, CU takes a "big tent" approach to the broader country universe and believes that a foundation of empathy makes country music an essential part of our shared popular culture.

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Building community through our roots. The Rhapsody Project is a community that explores and celebrates music and heritage through an anti-racist lens.

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Rainey Day Fund

to support artists of color, artists with disabilities, artists in the 2SLGBTQIA+ community in the roots music sphere.

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