Beyoncé’s country album drowns out the Black music history it claims to celebrate

BIPOC
By
Jesse Bernard
April 2, 2024
The Guardian
Article

On the first track of Beyoncé’s new album, she seems to state the impetus behind the project: “They used to say I spoke too country / Then the rejection came, said I wasn’t country ’nough.” That rejection was an unnamed experience in which she has said she “did not feel welcomed”, assumed to be her performance of her song Daddy Lessons with the Chicks at the 2016 Country Music awards. It prompted a racist backlash from parts of the country establishment, as well as outrage at Beyoncé giving a platform to the Chicks, who had been in exile from the industry since singer Natalie Maines criticised George W Bush’s handling of the Iraq war in 2002.

read
Article
Beyoncé
Photo Credit:

resources

decorative diamond background

Channel

bipoc icondisabled iconlgbtq icon

Musicana Latin-American Musicians' Collective

Instagram Account - Nashville' premiere music and culture collective highlighting works by latin-American creators

decorative diamond background

Website

bipoc icondisabled iconlgbtq icon

CGR radio network

Community Growth Radio (CGR) offers News, Information, Community Programming that is very target-specific for The Blind, Visually Impaired, The Disabled, The 50 Plus, and Veterans by providing timely subjects from Health, Retirement, and Finance that affect the above-intended audience. Plus offering Old Time Radio, Nostalgia, Book-Magazine and Newspaper Readings. CGR 4 Stream - The Best of Music(This includes, AAA, Acoustic, Alt Country, Americana, Bluegrass, Country, Folk, Progressive Country, Red Dirt/Roots to Zydeco also Inclusive, BIPOC, Indie, Un-Signed, Female/Non-Binary, All Genders and such) - Taking Music submissions by MP3

decorative diamond background

Website

bipoc icondisabled iconlgbtq icon

Country Universe

The longest-running country music blog, Country Universe was founded on and remains committed to the fact-based notion that country music has never been the exclusive purview of artists who are straight, white, Christian, Southern, and (mostly) men. When focusing on either the genre's history or its present, CU takes a "big tent" approach to the broader country universe and believes that a foundation of empathy makes country music an essential part of our shared popular culture.

Stay connected

The latest curated news, events, new releases and featured profiles and resources delivered to your inbox weekly.
Something went wrong. Please try again.
Thank you! Your submission has been received